Friday, May 13, 2016

NZ Muisci Moth - Princess Chelsea Releases "Is It All OK?" video


Princess Chelsea Releases "Is It All OK?" video


Today Princess Chelsea shares a "weirdass" music video for the track "Is It All OK?" - taken from the album The Great Cybernetic Depression, released earlier in 2015 on Flying Nun Records and Lil' Chief Records.

Long time video collaborator Simon Ward - who produced and directed the video - says "Is It All OK?" is a synthetic story of the love and loss of the human race.

WATCH THE VIDEO HERE



Princess Chelsea has a track record of impressive videos and a large youtube following, including her single Cigarette Duet, which currently has over 28 million views.


Previous singles from The Great Cybernetic Depression include No Church On Sunday, Too Many People, We Were Meant 2 B and We Are Strangers
        
http://www.nzmusicmonth.co.nz/           

NZ Music Month Video - Ryan Enzed - Crawling ft Sahara Skye

Ryan Enzed - Crawling ft Sahara Skye

NZ Music Month - What's On

http://www.nzmusicmonth.co.nz/

NZ Music Month Month Gigs

Phil Broadhurst – A Tui For His Dedication


Auckland based jazz pianist Phil Broadhurst won this year’s NZ Music Awards’ Jazz Tui for the third album in his loosely termed Dedication trilogy ‘Panacea’. NZM’s Aleisha Ward met with Broadhurst to discuss his win and what he’s up to next.
The first two albums in Phil Broadhurst’s Dedication trilogy – ‘Delayed Reaction’ (2011) and ‘Flaubert’s Dance’ (2013) – were both nominated for Jazz Tuis, winning the Tui this year Broadhurst likens his win with ‘Panacea’ to Peter Jackson winning the Oscar for Lord of the Rings Part 3.
“’Delayed Reaction’ lost out to Rodger Fox and ‘Flaubert’s Dance’ to Nathan Haines, so whether it was a vote bearing in mind that it was a trilogy and they [the judges] saved it until now, I don’t know,” he jokes.
The trilogy of albums dedicated to his influences, friends, and peers grew subconsciously at first.

“When we did ‘Delayed Reaction’ that was one of the things that resulted from my Masters’ research into [French jazz pianist] Michel Petrucciani. It wasn’t until afterwards that I realised that it was a sort of dedication to him, and when it came to the next album, I thought, why not do a dedication to a number of musicians, so the trilogy kind of grew from there.
“As well as being dedicated to some famous musicians, such as Horace Silver ‘Panacea’ is also dedicated to some of the players that I’ve been closely involved with, like [guitarist] Martin Winch, so that title track is dedicated to him. I used to have a band with Martin and Kim Paterson in the 1970s and we called the band Panacea, but there was never a song called Panacea until now.”

Phil Broadhurst Quintet - Panacea gig

In addition to being an active performer Broadhurst is also a lecturer at the Massey Albany jazz programme and host of the long running (23 years) radio show The Art of Jazz, on Radio NZ Concert. As such he has a unique overview of jazz here.
“The state of jazz in NZ is that it comes and goes, and it’s invariably hard to pin down exactly what’s going to happen in the future. I think as far as Auckland is concerned, one of the improvements over the last few years has been the development of the CJC [Creative Jazz Club]. It enabled more interaction between Wellington and Auckland, and even Christchurch and Auckland, especially with the emerging artists series. This is something you don’t really get very much in any city. I’ve been back and forth between Wellington and Auckland a lot and I can tell you that no one in either city has much of a clue about what’s going on in the other, so having a place that encourages musicians from other cities to come and play, is really important.”
However, while creative aspects of the jazz scene are improving, the financial aspects are not.
“We’re working for less now that we did 20 years ago, which is crazy… the trouble is that we end up agreeing to it anyway just for a chance to play. That’s the other problem, we all enjoy it too much so we don’t worry as much as we should about the money. We’re by no means unique in this in NZ though – it happens everywhere”
Keeping venues going is another issue he identifies as challenging the local jazz scene.
“It’s no good having a whole bunch of student musicians playing on the street, you need the venues. And if the venues are only concerned about making money on the bar, then in the end you’re going to have a problem. Jazz audiences now are there to listen to the music, rather than drink, and that’s a huge change. We didn’t used to have that, even 10 years ago, but we’ve got it now… because you’re often paying money to get in, so why wouldn’t you listen?
“Maybe the answer is to go even further. The CJC experimented recently with having two distinct sets, so maybe we need to move to the New York style with multiple sets per night, and have a drinks minimum, and then you satisfy the bar staff more.”
Because his Dedication trilogy spanned several years Broadhurst says he’s looking at different possible directions to take.
“I’m going to try and do something with Julie [Mason]. I’ll write some music, she’ll write some lyrics and we’ll do some vocal stuff. We’re going to Europe next year, possibly for a year since my job at Massey is winding up at the end of this year. We might line up some gigs while we’re there. If the radio show continues, I might also do that from there as well.”

http://www.nzmusician.com/2016/04/26/phil-broadhurst-tui/

Launched for NZ Music Month - The Orchestra of Spheres

The kid popped along to Rough Peel Records last Sunday to check out this unique group performing in-house at Rough Peel to get on down and to take a few pics.

Their new album is called Brothers and Sisters of the Black Lagoon  

 


The band played a selection from the new album, mixing otherworldly grooves with celestial jams. Crammed into the tiny store the punters tucked themselves in between shelves of vinyl, cassette taps and the occasional CD case. The warm feeling began when we entered and we're offered Chai and chocolate cake.  A small troop ok kids and friends,  dressed in a bizarre array of space costumes stuffed themselves into the front row. Surrounded by Bowie (Starman era) the fitted right in.  OoS's music was equally as tippy, and executed with a wonderful digital funkiness.  Their cake tin guitar was surprisingly versatile producing psychedelic riffs over jazz drum beats and a superior base drop made with an electronic clavier.  Sun Ra would been well impressed. I was.  And so we're the kids.















What is NZ Music Month?

Firmly entrenched as part of our cultural landscape, the month of May has gone from a period of encouraging radio to play more local tunes, to a 31 day celebration of homegrown talent across the length and breadth of the country.
NZ Music Month is a promotion run by the NZ Music Commission that takes place each May, in association with other organisations including NZ On Air, Recorded Music New Zealand, APRA, The Music Managers Forum, and the Radio Broadcasters Association. And obviously NZ Music Month could not succeed without the support of the country's labels, media, the general public, and, most importantly, the artists themselves.
Here at NZ Music Month HQ we can still remember back to the year 2000 when it all kicked off. There was plenty of great music being made but not enough people got to hear it, see it, or have it on their shelves. It's bloody marvellous to see how far things have come.
With local music of so many different kinds blasting through our airwaves, soaring off stages, webpagesand apps, and rumbling out of ludicrously lowered cars at the lights these days it is hard to fathom why things weren't like this earlier. Well, along with the vast amount of talented musicians responsible for all the great songs, and the hardworking folks who support them professionally and personally, we'd like to think that NZ Music Month has played a part.


We want to help you get to great gigs, make new musical discoveries, and get excited about your faves from the past. With a bunch of new releases looming over the horizon, hundreds of gigs around the country, and media of all kinds gearing up to get behind NZ Music Month you won't be able to miss it.


NZ Music Month will also be spreading the word about everything else that's going on around Aotearoa, so stay tuned for our personal picks throughout May and dig deep into our comprehensive gig guide to find gems that tickle your fancy.
Catch you out there...

Link to the NZ Music Month Website 

Tuesday, May 10, 2016

Thursday, April 21, 2016

Ryan Bingham - The Tuning Fork - April 20 for one show only - Photos by Trevor Villers

Last here in 2014 the Texan singer-songwriter, RYAN BINGHAM, best known for penning “The Weary Kind”, the Oscar-winning theme song for Crazy Heart, once more captivated audiences with tracks off his critically acclaimed 2015 release Fear and Saturday Night.
RYAN BINGHAM, in an intimate semi-acoustic mode, played the Tuning Fork on Wednesday April 20 for one show only.  Trevor Villers popped along to take a few snaps. 

"Rodney Fisher (Goodshirt) on the undercard, together with Elizabeth Stokes (The Beths, Hipstmatics etc),  but the real action came from where you’d expect it.  Ryan Bingham very much at home in a pared down acoustic trio" - Trevor




 
Tel:    +  64 9 445 8356
Web:     www.villers.co.nz


Rodney Fisher

Ryan Bingham


Ryan Bingham


Ryan Bingham



Elizabeth Stokes


Elizabeth Stokes


Ryan Bingham

 

Monday, April 11, 2016

The full line up for the 2016 Wellington Jazz Festival has just been announced

 
 
The full line up for the 2016 Wellington Jazz Festival has just been announced:
 
Wellington Jazz Festival runs across 8-12 June 2016
Over 100 gigs will take place over five days with an unprecedented number of bars, restaurants and local venues also getting behind this winter music highlight
The now annual Jazz Festival draws a national audience of 15,000 music fans
Keep up to date by visiting our website at www.jazzfestival.co.nz from 12 April or following us on Twitter @welljazzfest
 
Ticket prices range from $39- $79 (plus any Ticketek fees).
Pre-sale applies for Culture Club supporters from Tuesday 12 April.  Follow this link to sign up to the Culture Club for as little as $5 per month: http://www.festival.co.nz/the-culture-club/
Tickets on sale to General Public on Monday 18 April.
 
Wayne Shorter Quartet (USA) Wed 8 June
Experience the searing sax style of jazz giant Wayne Shorter, performing with Danilo Perez, John Patitucci and Brian Blade. The multi-Grammy Award-winning quartet continues to win fans with dynamic compositions and electrifying improvisations. Early bird rates apply until 30 April.
 
Karrin Allyson with the Tom Warrington Trio (USA) Thu 9 June
Be swept away by smooth chanteuse Karrin Allyson, supported by the Tom Warrington Trio and New Zealand School of Music Big Band. Known for her impressive musical range, Karrin glides between bittersweet and sassy, covering the greats from Duke Ellington to Dizzy Gillespie. The experienced trio of bassist Tom Warrington, drummer Joe La Barbera, and guitarist Larry Koonse perform with her.
 
 
Mulatu Astatke with Black Jesus Experience (Ethiopia/Australia) Fri 10 June
The influential father of Ethio jazz Mulatu Astatke performs with the eight-piece Melbourne-based Black Jesus Experience. Together their hypnotic grooves and Afro-beat funk will seduce you.
 
Snarky Puppy (USA) Sat 11 June
Get down to the new jazz sound from the underground and revel in a night of raw “animal magic” (The Telegraph). This two-time Grammy Award-winning Brooklyn-based outfit is ready to bring the Festival funk with a jazzed-up rock concert of synth-driven grooves, “horn-hollering soul hooks, floor-shaking beats and punchy improv” (The Guardian).
 
 
Lisa Fischer & Grand Baton (USA) Sun 12 une
The voice that has backed the Rolling Stones for 25 years, Lisa Fischer is now stepping into the spotlight. Capable of both raw power and breathtaking subtlety, she mesmerised movie-goers in the Academy Award-winning documentary Twenty Feet from Stardom.  A humble and inventive performer, this Grammy Award-winning artist brings an intimate one-night-only show fusing gospel, soul and rock.
 
Borrowed, Blue, Old but New (New Zealand) Sun 12 June
Take a break with some of New Zealand’s most iconic entertainers as they jazz up the great New Zealand songbook. Led by the Rodger Fox Big Band, chart-toppers Hollie Smith (Bathe in the River), Mark Williams (Show No Mercy), Debbie Harwood (Melting Pot, When the Cats Away) and Erna Ferry will surprise you with their favourite classic Kiwi pop tunes and jazz standards.

Thursday, April 07, 2016

The CoffeeBar Kid talks to local band The Raskolnikovs




On a balmy Sunday afternoon, the CoffeeBar Kid sauntered down to Deathray Records in Newtown to check out the album launch by The Raskolnikovs.  Afterwards, they invited him round for a beer and a chat.  He was intending to interview the band but they had other ideas...

The Raskolnikovs are an impeccably dressed collection of Russian gypsy sailors from Wellington. They have been described in 'the media' as "drunken Russian polka-rock" with a sound like "a cross between some kind of Eastern European music and The Munsters".
Presenting hard-bitten tales of the sea, murder, murder-at-sea, drinking, drinking-at-sea, coal mining, and madness all wrapped up in a delightfully dark dance-ability.
Formed in 2003 by Brett Moodie, Matt Steindl, Justin Barr, Airini Beautrais & Dan Lucka.

The current line-up is: 
Brett Moodie (Guitars), Danny Todd (Violin), Justin Barr (Drums), Matt Steindl (Accordion) and Menno Huibers (Bass) - plus on the ep Jo Contag (Clarinet), Tom Watson (trumpet), Sharon Boyd (trombone). BV's by Helena Nimmo, Erin Geohegen and Warner Emery (ep's producer)

The Band will be touring:

Friday Apr 7  @ Wunderbar, Lyttleton Saturday
Apr 8 @ The Crown Hotel, Dunedin
Friday May 27 @ St Peters Hall, Paekakariki
Saturday May 28 @ Laundry, Wellington

Vinyl available from Death Ray records, Newtown: https://www.facebook.com/deathrayrecordsnewtown/?fref=nf
Digital https://theraskolnikovs.bandcamp.com/




 
 

 

 


 

Sunday, April 03, 2016

Improve your PC AND keep Groove on-air at the same time!

Support Groove FM and get your computer running better by grabbing yourself a copy of our PC Cleanup application.
For 3 years I've been working on how to get people's PC's running faster and more reliably without them having to spend virtually any time setting up settings or reading instructions.
Make a donation of only NZ$25.00 to Groove FM and we'll send you a copy as a thank you :)
(Approx US$19.00 as at Mar 2015).
  • Speeds up boot up time (up to 63% or more), general performance speed and resolves many issues (Mouse freezing, applications crashing etc)
  • Easy to use
  • Like having a technician available at your place whenever you need for the next 5 years! (5yr licence)
Hop over to our Software page here to find out all the details.

Groovemiester.

Wednesday, March 30, 2016

WOMAD NZ attendance near record


Photo : McKenzie Jennings-Gruar

As the much-loved festival signs off for another extraordinary year; the ripples of the good vibe continue as 11 albums from WOMAD artists enter the NZ Top 40 Chart, the dates for 2017 are unveiled and the contract renewed with WOMAD international.

Over the 54 hours, WOMAD festival go-ers were treated to 32 acts from around the globe in the gorgeous setting of Taranaki’s Brooklands Park and TSB Bowl of Brooklands. Alongside the musical performances, Nova Energy Taste the World cooking demonstrations and  artists workshops, artists also made time to meet their new fans at the CD Signing Sessions. Fans queued, purchased CDs and merchandise with the happy result of 11 WOMAD artist albums making it into the Official NZ Top 40 chart.

First time in the NZ chart for Canadians, The Jerry Cans (no.7), Ukrainian crowd favourites Dakha Brakha had two albums enter at no.10 and no.14, UK dream folk fiddlers, Spiro, took out no.17, explosive maverick blues-folk-jazz fusion band Hazmat Modine in at no.19, Mali’s desert blues maestros, Songhoy Blues took out no. 20. Other first timers for the NZ chart included: soul sister Ester Rada from Israel (no.24), U.S. baritone John Grant (no.27), Iranian sisters Mahsa and Marjan Vahdat (no.34) and re-entry into the chart for Louis Baker’s E.P. at no.35 and after his electrifying set, French musician, St. Germain's latest album came back  in at no.39. The WOMAD 2016 compilation CD rose to no.2 on the RIANZ Compilation Charts, which is an outstanding result for an album with mostly artists no-one had heard of in New Zealand a mere two weeks ago.

2016 was extra special, as WOMAD International re-signed the deal with Taranaki Arts Festival Trust for another three years, which at the end of the new term will be a staggering 15 years of partnership. Head of WOMAD International, Chris Smith commented, “Every time I come back here, I am blown away by this amazing setting and how beautiful and custom made it is for the WOMAD festival."

The next WOMAD dates are March 17th – 19th, 2017.

WOMAD 2016 was the third most attended ever in New Plymouth in this, its 12th presentation of the festival. At its peak, on Saturday, there was near 16,500 people on the site made up of the near sell out crowd of 12,000, 3000 free children, plus traders, volunteers and staff.

Suzanne Porter, Taranaki Arts Festival Trust CEO reflected on the 2016 festival,  “This year’s festival has had a particularly chilled and relaxed vibe on site, and our audience were really well-behaved. The site was still flowing really well at peak times and we couldn’t be happier with the feedback from both our audience and our artists.”

The treasure of  WOMAD is more than a ‘show’ - it is a communal give and take and has the power to move not only the audience but the artists also. Middle eastern group 47Soul, hailing from Palestine, Syria and Jordan were visibly brought to tears at the Welcome Powhiri held at Owae Marae after their arrival. De La Soul described the wave of love coming to them over the TSB Bowl of Brooklands lake as “palpable” and WOMAD first timer Bic Runga sent a thank you note ‘I felt really lucky to be a part of the festival… the bands I saw and the atmosphere really blew me away”.


Photo: McKenzie Jennings-Gruar